Best musical film adaptation since Chicago.
… ExpandĪbsolutely incredible - easily matches the likes of The Hobbit, Lincoln and Zero Dark Thirty as one of the best films this year. Those who can still feel their hearts beating should head to the barricades. Cynics and those immune to the terrific score should maybe opt out. Hugh Jackman, Anne Hathaway, Eddie Redmayne, Aaron Tveit, Sacha Baron Cohen, Helena Bonham Carter and the luminous Samantha Barks shine. I have seldom been so moved by a motion picture and never by a musical. Instead of playing to the short attention spans of those who love the bloated excesses of Batman, or the adolescent charm of the Avengers, Les Miserables has the courage to examine just how hard it is to change anything for the better, and the redemption available for those willing to try. In addition to updating the operatic form, the movie embraces its epic destiny. Instead of playing to the short attention spans of those who love the bloated excesses of Batman, or Great themes permeate the beautifully sung and brilliantly acted film version of the long-running stage show. Being at the head of a major institution and therefore being in a position of being able to, and expected to, wield a certain level of authority, that has separated her from not only her craft and her creative instinct, but also from who she is.Great themes permeate the beautifully sung and brilliantly acted film version of the long-running stage show.
The actress continues, "The character of Lydia-even though there’s a very clear understanding in the community in which she moves of who she is and how she thinks and what she’s achieved-she’s someone who has become estranged from herself. We understand what the corruption of male power looks like, but we need to unpack what power is itself." "Because the film is a meditation on power, you would’ve had a much less nuanced examination of that.
"When Todd was thinking about it, Tár was originally a male role," Blanchett told Michelle Yeoh during Variety’s Actors On Actors series. She is not, but the psychological thriller-directed by Todd Field-is authentic in its portrayal of an abusive composer-conductor. After watching Tár, viewers may be inclined to Google if Lydia Tár, played by Cate Blanchett, is a real person.
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